Modality and the Melodic Foreground
References
Roger Solie
Baroni, M. and Jacoboni, C. (1978): Proposal for a Grammar of Melody. The Bach Chorales. Montreal University Press, Montreal, 1978.
Baroni, M. and Jacoboni, C. (1984): "A Grammar for Melody. Relationships Between Melody and Harmony." Baroni and Callegari, eds., Musical Grammars and Computer Analysis, Atti del Convegno Modena 4-6 Ottobre 1982. Firenze, 1984.
Burdick, Michael Francis (1977): A Structural Analysis of Melodic Scale-Degree Tendencies in Selected Themes of Haydn, Mozart, Schubert, and Chopin. PhD diss., music theory: Indiana University, 1977.
Cross, Ian (1997): "Pitch Schemata."Perception and Cognition of Music. Iréne Deliége and John Sloboda (eds.), Hove: Psychology Press, 1997: 357-390.
Day-O'Connell, Jeremy (2002): "The Rise of ^6 in the Nineteenth Century". Music Theory Spectrum, Vol. 24/1 (spring 2002): 35-67.
Goetschius, Percy (1900/1923): Exercises in Melody-Writing. G. Schirmer,11th ed. New York, 1923 [1900].
Lerdahl, Fred, and Ray Jackendoff (1983): A Generative Theory of Tonal Music. Cambridge, MA: MIT Press, 1983; reprint 1996.
Lerdahl, Fred (2001): Tonal Pitch Space. New York: Oxford University Press, 2001.
Larson, Steve (1993a): "On Rudolf Arnheim's Contribution to Music Theory". Journal of Aesthetic Education, Vol. 27, No. 4 (1993): 97-104.
Larson, Steve (1993b): "Scale-degree function: A Theory of Expressive Meaning and its Application to Aural Skills Pedagogy". Journal of Music Theory Pedagogy 7 (1993): 69-84.
Larson, Steve (1997/98): "Musical Forces and Musical Patterns."Theory and Practice 22/23 (1997/98): 55-71.
Meyer, Leonard B. (1979): "Toward a Theory of Style." Berel Lang (ed), The Concept of Style. University of Pennsylvania Press, Philadelphia, 1979.
Meyer, Leonard B. (1989): Style and Music: Theory, History, and Ideology. Philadelphia: University of Pennsylvania Press, Philadelphia, 1989.
Powers, Harold (2001), Frans Wiering, James Porter, James Cowdery, Richard Widdess, Ruth Davis, Marc Perlman, Allan Marett, and Stephen Jones: "Mode." The New Grove Dictionary of Music and Musicians, ed. S. Sadie and J. Tyrrell, Oxford University Press, London, 2001: 775-860.
Ratner, Leonard (1980): Classic Music: Expression, Form, and Style. New York: Schirmer Books, 1980.
Sundberg, Johan, and Björn Lindblom (1970): "Towards a Generative Theory of Melody." Svensk Tidskrift för Musikforskning 52 (1970): 71-88.
Sundberg, Johan, and Björn Lindblom (1973): "A Generative Theory of Swedish Nursery Tunes." Actes du 1er Congrés International de Semiotique Musicale / Proceedings of the 1st International Congress on the Semiotics of Music [Pesaro, Italy, 1975; conference originally Belgrade 1973].
Sundberg, Johan, and Björn Lindblom (1976): "Generative Theories in Language and Music Descriptions." Cognition 4 (1976): 99-122.
Sundberg, Johan, and Björn Lindblom (1991): "Generative Theories for Describing Musical Structure." Peter Howell, Ian Cross, Robert West, eds. Representing musical structure (pp. 245-272). London: Academic Press, 1991.
Temperley, David (2001): The Cognition of Basic Musical Structures. Cambridge MA: MIT Press, 2001.
I. Abbreviations used in examples and lists of works:
| Fl | flute | Son | sonata | Idom | Idomeneo, re di Creta |
| Ob | oboe | MM | Moment Musicale | Entf | Die Enfführung aus dem Serail |
| Cl | clarinet | 4t | quartet | Fig | Le nozze di Figaro |
| Bn | bassoon | SQ | string quartet | DG | Don Giovanni |
| WW | woodwind | 5t | quintet | Schspl | Der Schauspieldirektor |
| Hn | horn | Conc | concerto | Zbfl | Die Zauberflöte |
| Trp | trumpet | Sinf Conc | sinfonia concertante | Tito | La clemenza di Tito |
| Pf | piano | Div | divertimento | Cons House | Die Weihe des Hauses |
| 4-Hd | four hands | Ser | serenade | Ruins | Die Ruinen von Athen |
| Vn | violin | Ov | overture | Augenblick | Der glorreiche Augenblick |
| Va | viola | Sym | symphony | Stephan | König Stephan |
| Vcl | cello | Prüfung | Prüfung des Küssens | ||
| Bar | baryton | Zbhfe | Die Zauberharfe | ||
| Str | string | ||||
| Orch | orchestra |
II. List of works in the examples
| work | work number | example | |
| Pf Son | H. 20/ii | EX 11-1 | 1 |
| Pf Son | H. 26/ii (= Sym H.47/iii) | EX 7-7 | 2 |
| Pf Son | H. 27/i, 24 | EX 11-2 | 3 |
| Pf Son | H. 30/ii | EX 11-9 | 4 |
| Pf Son | H. 35/i | EX 11-1 | 5 |
| Pf Son | H. 36/i, 12 | EX 26-2 | 6 |
| Pf Son | H. 36/ii | EX 16-3 | 7 |
| Pf Son | H. 37/i | EX 11-1, EX 27-2 | 8 |
| Pf Son | H. 37/i, 17 | EX 11-11 | 9 |
| Pf Son | H. 37/iii, 60 | EX 19-4 | 10 |
| Pf Son | H. 38/i, 13 | EX 7-1 | 11 |
| Pf Son | H. 39/i | EX 16-3 | 12 |
| Pf Son | H. 41/i, 20 | EX 19-2 | 13 |
| Pf Son | H. 43/i, 12 | EX 11-1 | 14 |
| Pf Son | H. 46/ii | EX 7-9 | 15 |
| Pf Son | H. 49/iii, 24 | EX 7-11 | 16 |
| Pf Son | H. 51/i, 26 | EX 19-3 | 17 |
| Pf Son | H. 51/ii | EX 8-1 | 18 |
| Pf Son | H. 52/iii | EX 7-1 | 19 |
| Minuet | H. 8/#6 | EX 8-1 | 20 |
| Minuet | H. 16/#1, trio | EX 8-3 | 21 |
| Minuet | H. 19#10 (authentic?) | EX 7-10 | 22 |
| Clock-Piece | H. 18 | EX 15 | 23 |
| Pf Trio | H. 4/ii (Pleyel?) | EX 11-4 | 24 |
| Pf Trio | H. 6/ii | EX 30-1 | 25 |
| Pf Trio | H. 10/ii | EX 7-2 | 26 |
| Pf Trio | H. 11/i, 60 | EX 28-1 | 27 |
| Pf Trio | H. 11/ii | EX 20-3 | 28 |
| Pf Trio | H. 11/ii, 32 | EX 7-2 | 29 |
| Pf Trio | H. 15/i | EX 8-1 | 30 |
| Pf Trio | H. 16/i | EX 15 | 31 |
| Pf Trio | H. 18/i, 2 | EX 7-3 | 32 |
| Pf Trio | H. 19/ii | EX 11-10 | 33 |
| Pf Trio | H. 20/i | EX 21-1 | 34 |
| Pf Trio | H. 21/iii | EX 22-2 | 35 |
| Pf Trio | H. 23/ii | EX 8-2 | 36 |
| Pf Trio | H. 24/i, 2 | EX 7-2 | 37 |
| Pf Trio | H. 25/iii | EX 21-3 | 38 |
| Pf Trio | H. 30/i | EX 11-3 | 39 |
| Bar Trio | H. 3/i | EX 19-5 | 40 |
| Bar Trio | H. 4/ii | EX 28-2 | 41 |
| Bar Trio | H. 5/i | EX 11-2 | 42 |
| Bar Trio | H. 15/iii | EX 29-2 | 43 |
| Bar Trio | H. 27/i | EX 11-4 | 44 |
| Bar Trio | H. 38/iii, 14 | EX 7-7 | 45 |
| Bar Trio | H. 39/ii | EX 30-2 | 46 |
| Bar Trio | H. 47/i | EX 11-2 | 47 |
| Bar Trio | H. 52/ii | EX 20-2 | 48 |
| Bar Trio | H. 59/iii | EX 7-10 | 49 |
| Bar Trio | H. 69/ii, trio | EX 25-1 | 50 |
| Bar Trio | H. 76/i | EX 26-4 | 51 |
| Bar Trio | H. 83/i | EX 23-3 | 52 |
| Bar Trio | H. 90/i | EX 26-4 | 53 |
| Bar Trio | H. 107/ii | EX 28-2 | 54 |
| Bar Min | H. 23? | EX 11-2 | 55 |
| Lira Notturno | H. 26/iii | EX 19-5 | 56 |
| Lira Notturno | H. 28/i | EX 7-8 | 57 |
| SQ | H. 28/iii | EX 7-2 | 58 |
| SQ | H. 30/i | EX 7-2 | 59 |
| SQ | H. 32/i | EX 19-3 | 60 |
| SQ | H. 34/iii | EX 19-3 | 61 |
| SQ | H. 35/ii, trio | EX 30-1 | 62 |
| SQ | H. 36/ii | EX 29-2 | 63 |
| SQ | H. 37/ii, trio | EX 27-1 | 64 |
| SQ | H. 38/iii | EX 23-3 | 65 |
| SQ | H. 38/iv | EX 20-3 | 66 |
| SQ | H. 39/i, 2 | EX 11-1 | 67 |
| SQ | H. 40/iii | EX 20-3 | 68 |
| SQ | H. 42/i | EX 7-2 | 69 |
| SQ | H. 45/iii, trio | EX 11-10 | 70 |
| SQ | H. 46/i | EX 19-3 | 71 |
| SQ | H. 47/iii | EX 7-9 | 72 |
| SQ | H. 58/iii, trio | EX 11-2 | 73 |
| SQ | H. 59/iii | EX 23-2 | 74 |
| SQ | H. 59/iv | EX 22-3 | 75 |
| SQ | H. 59/iv, 45 | EX 16-3 | 76 |
| SQ | H. 62/iv, 21 | EX 11-3 | 77 |
| SQ | H. 63/iii | EX 11-1 | 78 |
| SQ | H. 66/i | EX 11-9 | 79 |
| SQ | H. 66/iv | EX 11-11, EX 14 | 80 |
| SQ | H. 68/iii, trio | EX 7-2 | 81 |
| SQ | H. 69/iii, trio | EX 8-3 | 82 |
| SQ | H. 69/iv | EX 16-3 | 83 |
| SQ | H. 70/ii | EX 7-4 | 84 |
| SQ | H. 70/iii, trio | EX 20-3 | 85 |
| SQ | H. 70/iv | EX 16-1 | 86 |
| SQ | H. 71/ii | EX 11-10 | 87 |
| SQ | H. 71/iv | EX 8-4 | 88 |
| SQ | H. 74/i, 54 | EX 20-4 | 89 |
| SQ | H. 74/ii | EX 24-1 | 90 |
| SQ | H. 75/ii | EX 22-1 | 91 |
| SQ | H. 75/iv, 24 | EX 7-9 | 92 |
| SQ | H. 77/i | EX 7-5, EX 7-9 | 93 |
| SQ | H. 77/ii | EX 26-1 | 94 |
| SQ | H. 78/i | EX 8-5, EX 11-11 | 95 |
| SQ | H. 78/i, 37 | EX 7-3, EX 8-1 | 96 |
| SQ | H. 78/iv | EX 11-5, EX 11-10 | 97 |
| SQ | H. 79/i | EX 14 | 98 |
| SQ | H. 79/iv, 75 | EX 8-1 | 99 |
| SQ | H. 81/i, 39 | EX 14 | 100 |
| SQ | H. 82/iii | EX 22-2 | 101 |
| Hn Conc | H. 3/iii | EX 19-5 | 102 |
| Trp Conc | H. 1/i | EX 19-1 | 103 |
| Pf Conc | H. 11/iii | EX 7-12, EX 16-3 | 104 |
| Lira Conc | H. 4/i | EX 28-2 | 105 |
| Lira Conc | H. 2/iii | EX 19-6 | 106 |
| Vn Conc | H. 3/ii | EX 11-4, EX 30-1 | 107 |
| Vcl Conc | H. 1/iii | EX 7-4 | 108 |
| Vcl Conc | H. 2/iii | EX 20-4 | 109 |
| Sym | H. 42/iii | EX 30-2 | 110 |
| Sym | H. 45/iv, 151 | EX 7-7 | 111 |
| Sym | H. 47/iii (= Pf Son H.26/ii) | EX 7-7 | 112 |
| Sym | H. 52/iii, trio | EX 8-6 | 113 |
| Sym | H. 56/iv, 25 | EX 23-1 | 114 |
| Sym | H. 58/iv | EX 30-2 | 115 |
| Sym | H. 59/iv, 49 | EX 8-6 | 116 |
| Sym | H. 60/iii | EX 7-8 | 117 |
| Sym | H. 63/iv | EX 9 | 118 |
| Sym | H. 64/iii | EX 27-2 | 119 |
| Sym | H. 71/i, 8 | EX 29-1 | 120 |
| Sym | H. 76/i, 56 | EX 19-6 | 121 |
| Sym | H. 76/iv (= Sym H. 76/iv, 37) | EX 19-3 | 122 |
| Sym | H. 77/iv | EX 7-10 | 123 |
| Sym | H. 81/i, 51 | EX 20-4 | 124 |
| Sym | H. 82/i, 70 | EX 25-2 | 125 |
| Sym | H. 83/i, 45 | EX 11-1 | 126 |
| Sym | H. 83/iii, trio | EX 16-1 | 127 |
| Sym | H. 90/ii | EX 21-3 | 128 |
| Sym | H. 90/iv | EX 7-4 | 129 |
| Sym | H. 91/iii | EX 7-9 | 130 |
| Sym | H. 93/iv | EX 11-5 | 131 |
| Sym | H. 93/iv, 118 | EX 11-3 | 132 |
| Sym | H. 94/i, 17 | EX 8-6 | 133 |
| Sym | H. 94/i, 79 | EX 21-2 | 134 |
| Sym | H. 95/iv | EX 11-10, EX 22-3 | 135 |
| Sym | H. 98/iv, 18 | EX 7-9 | 136 |
| Sym | H. 99/i, 71 | EX 8-5 | 137 |
| Sym | H. 100/i, 24 | EX 29-2 | 138 |
| Sym | H. 100/i, 94 | EX 14 | 139 |
| Sym | H. 100/ii | EX 16-3 | 140 |
| Sym | H. 101/ii, 2 | EX 11-6 | 141 |
| Sym | H. 101/iii | EX 19-3, EX 19-4 | 142 |
| Sym | H. 101/iv | EX 20-1 | 143 |
| Sym | H. 103/ii, 26 | text, ¦ [7] | 144 |
| Sym | H. 104/i, 17 | EX 7-5 | 145 |
| Sym | H. 104/ii | EX 22-3 | 146 |
| Pf Son | K. 279/ii | EX 11-1 | 147 |
| Pf Son | K. 280/ii, 9 | EX 19-3 | 148 |
| Pf Son | K. 281/i | EX 7-6 | 149 |
| Pf Son | K. 283/iii | EX 25-2 | 150 |
| Pf Son | K. 284/iii, var xii | EX 8-1 | 151 |
| Pf Son | K. 309/i | EX 7-5 | 152 |
| Pf Son | K. 309/iii, 19 | EX 16-3 | 153 |
| Pf Son | K. 311/i, 16 | EX 16-1 | 154 |
| Pf Son | K. 330/i, 19 | EX 11-1 | 155 |
| Pf Son | K. 331/i, var vi | EX 26-2 | 156 |
| Pf Son | K. 332/i | EX 7-5 | 157 |
| Pf Son | K. 333/ii | EX 24-1 | 158 |
| Pf Son | K. 333/iii, 16 | EX 14 | 159 |
| Pf Son | K. 457/i, 23 | EX 7-1 , EX 20-3 | 160 |
| Pf Son | K. 533/ii, 23 | EX 7-3 | 161 |
| Pf Son | K. 545/ii | EX 25-2 | 162 |
| Pf Son | K. 576/i | EX 7-1 | 163 |
| Pf Duo | K. 448/i | EX 7-9 | 164 |
| Contradance | K. 267/#2, 16 | EX 28-2 | 165 |
| Contradance | K. 267/#4 | EX 11-2 | 166 |
| Deutsch | K. 586/#8, trio | EX 15, EX 23-2 | 167 |
| Deutsch | K. 602/#2, trio | EX 9 | 168 |
| Lþndler | K. 606/#3 | EX 11-2 | 169 |
| Minuet | K. 176#8 | EX 11-2 | 170 |
| Minuet | K. 315a/#5 | EX 11-2 | 171 |
| Minuet | K. 568/#8 | EX 11-5 | 172 |
| Minuet | K. 585/#2, trio | EX 7-10 | 173 |
| Minuet | K. 585/#3 | EX 9 | 174 |
| Vn Son | K.296/i, 44 | EX 27-2 | 175 |
| Vn Son | K. 296/iii | EX 26-4 | 176 |
| Vn Son | K. 301/i, 44 | EX 29-1 | 177 |
| Vn Son | K. 305/i | EX 16-1 | 178 |
| Vn Son | K. 306/i | EX 16-1 | 179 |
| Vn Son | K. 306/ii | EX 23-2 | 180 |
| Vn Son | K. 306/iii, 30 | EX 27-2 | 181 |
| Vn Son | K. 376/i, 19 | EX 21-3 | 182 |
| Vn Son | K. 376/i, 48 | EX 26-2 | 183 |
| Vn Son | K. 378/ii | EX 11-1 | 184 |
| Vn Son | K. 454/i, 14 | EX 20-2 | 185 |
| Pf Trio | K. 254/i, 33 | EX 7-2 | 186 |
| Pf Trio | K. 502/iii | EX 22-1 | 187 |
| Pf Trio | K. 548/iii | EX 7-9 | 188 |
| Pf 4t | K. 478/iii, 44 | EX 20-3 | 189 |
| Pf 4t | K. 478/iii, 71 | EX 22-3 | 190 |
| Pf 4t | K. 493/iii, 72 | EX 20-3 | 191 |
| Fl 4t | K. 298/iii, 13 | EX 20-2 | 192 |
| Ob 4t | K. 370/i | EX 26-2 | 193 |
| Cl Trio | K. 498/i | EX 11-5 | 194 |
| WW-Pf 5t | K. 452/iii, 40 | EX 7-2 | 195 |
| Vn-Va Duo | K. 423/ii | EX 7-2 | 196 |
| Str Trio-Div | K. 563/i, 27 | EX 11-1 | 197 |
| Str Trio-Div | K. 563/vi | EX 7-2 | 198 |
| SQ | K. 156/ii, 5 | EX 7-9, EX 19-5 | 199 |
| SQ | K. 158/iii | EX 11-11 | 200 |
| SQ | K. 159/i | EX 29-2 | 201 |
| SQ | K. 160/i, 16 | EX 7-4 | 202 |
| SQ | K. 169/iii | EX 19-3 | 203 |
| SQ | K. 169/iii, trio | EX 9 | 204 |
| SQ | K. 170/ii | EX 9, EX 27-1 | 205 |
| SQ | K. 387/i, 25 | EX 16-2 | 206 |
| SQ | K. 458/ii | EX 14 | 207 |
| SQ | K. 458/ii, trio | EX 29-1 | 208 |
| SQ | K. 458/iv, 81 | EX 20-5 | 209 |
| SQ | K. 465/iv | EX 7-5 | 210 |
| SQ | K. 465/iv, 88 | EX 8-1 | 211 |
| SQ | K. 499/ii | EX 11-10 | 212 |
| SQ | K. 499/iv | EX 7-2 | 213 |
| SQ | K. 499/iv, 44 | EX 26-1 | 214 |
| SQ | K. 589/i | EX 25-2 | 215 |
| SQ | K. 589/iv | EX 25-1 | 216 |
| Str 5t | K. 515/ii | EX 7-2 | 217 |
| Str 5t | K. 515/iii | EX 8-3 | 218 |
| Str 5t | K. 516/iii | EX 20-4 | 219 |
| Str 5t | K. 593/i, 21 | EX 8-3 | 220 |
| Str 5t sketch | K. 514a | EX 26-3 | 221 |
| Str 5t sketch | K. 515c, 31 | EX 20-3 | 222 |
| WW Div | K. 253/ii | EX 21-3 | 223 |
| WW Div | K. 439b#2/i | EX 1 | 224 |
| WW Div | K. 439b#4/v | EX 7-2 | 225 |
| WW Div | K. 439b#5/ii, trio | EX 7-2 | 226 |
| WW Div | K. 439b#5/iv | EX 7-2 | 227 |
| WW Ser | K. 375/iv, trio | EX 22-3 | 228 |
| WW Ser | K. 375/v | EX 7-2 | 229 |
| WW Ser | K. 388/iii, trio | EX 14 | 230 |
| WW Ser | K. 388/iv, 96 | EX 24-2 | 231 |
| WW Ser | K. 388/iv, 215 | EX 7-2 | 232 |
| Str Div | K. 137/i, 12 | EX 11-10 | 233 |
| Str Ser | K. 525/ii | EX 24-2 | 234 |
| Str Ser | K. 525/iii | EX 23-1 | 235 |
| Orch Div | K. 287/vi, 15 | EX 11-4 | 236 |
| Orch Ser | K. 239/i | EX 9 | 237 |
| Orch Ser | K. 247/vi, 40 | EX 15 | 238 |
| Orch Ser | K. 320/ii, trio | EX 20-4 | 239 |
| Les petits riens | K. 299b/#12, 16 | EX 8-6 | 240 |
| Fl Conc | K. 313/iii, 45 | EX 11-4 | 241 |
| Fl/Ob Conc | K. 314/iii | EX 19-5 | 242 |
| Fl-Hp Conc | K. 299/ii | EX 7-11 | 243 |
| Fl-Hp Conc | K. 299/iii | EX 24-2 | 244 |
| Fl-Hp Conc | K. 299/iii, 58 | EX 14 | 245 |
| Cl Conc | K. 622/i | text ¦ [1], text ¦ [32] | 246 |
| Cl Conc | K. 622/iii, 57 | EX 11-3 | 247 |
| Bn Conc | K. 191/ii, 13 | EX 9 | 248 |
| Hn Conc | K. 447/iii, 34 | EX 16-3 | 249 |
| Pf Conc | K. 271/iii, 232 | EX 11-6 | 250 |
| Pf Conc | K. 415/i, 93 | EX 26-2 | 251 |
| Pf Conc | K. 452c | EX 11-9 | 252 |
| Pf Conc | K. 456/i, 54 | EX 7-10 | 253 |
| Pf Conc | K. 456/iii, 58 | EX 20-2 | 254 |
| Pf Conc | K. 459/i, 16 | EX 14 | 255 |
| Pf Conc | K. 466/i, 33 | EX 14 | 256 |
| Pf Conc | K. 466/i, 127 | EX 7-6 | 257 |
| Pf Conc | K. 482/i, 77 | EX 26-2 | 258 |
| Pf Conc | K. 482/i, 248 | EX 9 | 259 |
| Pf Conc | K. 482/iii, 128 | EX 22-3 | 260 |
| Pf Conc | K. 482/iii, 218 | EX 20-5 | 261 |
| Pf Conc | K. 488/iii, 62 | EX 20-3 | 262 |
| Pf Conc | K. 491/iii, 165 | EX 26-2 | 263 |
| Pf Conc | K. 503/i, 58 | EX 19-2 | 264 |
| Pf Conc | K. 503/i, 170 | EX 26-2 | 265 |
| Pf Conc | K. 503/iii, 163 | EX 7-4, EX 27-2 | 266 |
| Pf Conc | K. 537/i, 59 | EX 21-3 | 267 |
| Pf Conc | K. 595/ii | EX 16-3 | 268 |
| Pf Conc | K. 595/iii, 65 | EX 19-6 | 269 |
| 2-Pf Conc | K. 365/iii, 45 | EX 26-4 | 270 |
| Pf-Orch Rondo | K. 386 | EX 26-4 | 271 |
| Pf-Orch Rondo | K. 386, 83 | EX 11-7 | 272 |
| Vn-Pf Conc | K. 315f, 75 | EX 9 | 273 |
| Vn-Pf Conc | K. 315f, 99 | EX 26-2 | 274 |
| Vn Conc | K. 207/i, 15 | EX 15 | 275 |
| Vn Conc | K. 207/iii, 77 | EX 19-5 | 276 |
| Vn Conc | K. 216/i, 19 | EX 19-1 | 277 |
| Vn Conc | K. 218/i, 42 | EX 11-3 | 278 |
| Vn-Orch Adagio | K. 261, 14 | EX 8-3 | 279 |
| Vn-Orch Rondo | K. 269, 43 | EX 25-2 | 280 |
| Sinf Conc | K. 364/iii | EX 19-2 | 281 |
| Sym | K. 162/i, 31 | EX 15 | 282 |
| Sym | K. 162/i, 38 | EX 30-1 | 283 |
| Sym | K. 183/i, 59 | EX 11-11, EX 19-2, EX 19-5 | 284 |
| Sym | K. 200/iii | EX 21-3 | 285 |
| Sym | K. 200/iv | EX 21-2 | 286 |
| Sym | K. 201/ii, 13 | EX 7-8 | 287 |
| Sym | K. 297/ii, 31 | EX 7-4 | 288 |
| Sym | K. 338/i, 74 | EX 11-5 | 289 |
| Sym | K. 338/ii | EX 26-2 | 290 |
| Sym | K. 385/iv, 38 | EX 7-5 | 291 |
| Sym | K. 425/i, 20 | EX 20-1 | 292 |
| Sym | K. 425/iv, 58 | EX 16-3 | 293 |
| Sym | K. 543/iv | EX 21-1 | 294 |
| Sym | K. 550/iv, 70 | EX 11-1 | 295 |
| Lucio Silla | K. 135/#7, 70 | EX 15 | 296 |
| Idom | K. 366/#9 | EX 28-2 | 297 |
| Idom | K. 366/#9, 117 | EX 20-3 | 298 |
| Entf | K. 384/#12 | EX 19-2 | 299 |
| Entf | K. 384/#16 | EX 26-3 | 300 |
| Entf | K. 384/#20, 24 | EX 8-1 | 301 |
| Schspl | K. 484/#4, 6 | EX 28-1 | 302 |
| Schspl | K. 486/#4, 75 | EX 7-12 | 303 |
| Fig | K. 492/#8, 9 | EX 14 | 304 |
| Fig | K. 492/#12, 9 | EX 19-4 | 305 |
| Fig | K. 492/#13, 23 | EX 9 | 306 |
| Fig | K. 492/#16 | EX 22-3 | 307 |
| Fig | K. 492/#18, 44 | EX 15 | 308 |
| Fig | K. 492/#19 | EX 7-10 | 309 |
| DG | K. 527/#7,49 | EX 8-3 | 310 |
| DG | K. 527/#15 | EX 9 | 311 |
| DG | K. 527/#15, 35 | EX 7-12 | 312 |
| DG | K. 527/#23, 16 | EX 30-2 | 313 |
| Cosi | K. 588/#31, 372 | EX 19-5 | 314 |
| Zbfl | K. 620/#1, 78 | EX 8-3 | 315 |
| Zbfl | K. 620/#6, 2 | EX 22-3 | 316 |
| Zbfl | K. 620/#11 | EX 22-2 | 317 |
| Zbfl | K. 620/#16, 5 | EX 7-10 | 318 |
| Zbfl | K. 620/#20, 24 | EX 8-6 | 319 |
| Zbfl | K. 620/#21, 94 | EX 8-4 | 320 |
| Zbfl | K. 620/#21, 544 | EX 7-8, EX 8-3 | 321 |
| Zbfl | K. 620/#21, 688 | text, ¦ [16] | 322 |
| Zbfl | K. 620/#21, 862 | EX 8-6, EX 11-10 | 323 |
| Tito | K. 621/#3 | EX 7-9 | 324 |
| Pf Son | Op. 2#3/i, 77 | EX 7-1 | 325 |
| Pf Son | Op. 7/i | EX 7-6 | 326 |
| Pf Son | Op. 7/ii | EX 7-10, EX 20-3 | 327 |
| Pf Son | Op. 10#1/iii, 37 | EX 7-1 | 328 |
| Pf Son | Op. 10#2/i, 55 | EX 7-3 | 329 |
| Pf Son | Op. 10#3/i, 105 | EX 7-1 | 330 |
| Pf Son | Op. 10#3/iii | EX 7-6 | 331 |
| Pf Son | Op. 14#1/i, 38 | EX 7-1 | 332 |
| Pf Son | Op. 14#1/ii, trio | EX 7-1 | 333 |
| Pf Son | Op. 14#1/iii | EX 8-1 | 334 |
| Pf Son | Op. 14#1/iii, 21 | EX 7-5 | 335 |
| Pf Son | Op. 22/ii | EX 11-3 | 336 |
| Pf Son | Op. 22/iii | EX 29-1 | 337 |
| Pf Son | Op. 27#1/iv | EX 30-2 | 338 |
| Pf Son | Op. 31#1/i, 99 | EX 7-1 | 339 |
| Pf Son | Op. 31#3/i, 65 | EX 25-2 | 340 |
| Pf Son | Op. 49#1/i, 16 | EX 7-1 | 341 |
| Pf Son | Op. 49#1/ii, 32 | EX 16-1 | 342 |
| Pf Son | Op. 54/i | EX 7-1 , EX 8-1 | 343 |
| Pf Son | Op. 81a/i | EX 7-4, EX 22-1 | 344 |
| Pf Son | Op. 90/ii | EX 7-10 | 345 |
| Pf Son | Op. 101/iv, 4 | EX 22-3 | 346 |
| Pf Son | Op. 106/i, 4 | EX 20-4 | 347 |
| Pf Son | Op. 106/i, 62 | EX 28-1 | 348 |
| Pf Son | Op. 109/i | EX 7-7 | 349 |
| Pf Son | Op. 110/i | EX 15, EX 20-5 | 350 |
| Pf Sonatine | Anh 5#1/i (probably spurious) | EX 16-3 | 351 |
| Pf Sonatine | Anh 5#1/ii (probably spurious) | EX 19-6 | 352 |
| Pf Bagatelle | Op. 33/#1 | EX 11-5 | 353 |
| Pf Rondo | Op 51#2 | EX 20-2 | 354 |
| Rondo capriccioso, pf | Op. 129 | EX 15 | 355 |
| Deutsch, vn & pf | WoO 42/#5 | EX 20-4 | 356 |
| Ecossaise, pf | WoO 83/#6 | EX 11-10 | 357 |
| Minuet, strs | WoO 9/#4 | EX 25-2 | 358 |
| Waltz, pf | WoO 85 | EX 7-9 | 359 |
| Vn Son | Op. 12#1/iii | EX 20-3 | 360 |
| Vn Son | Op 12#2/iii, 54 | EX 11-11 | 361 |
| Vn Son | Op 12#3/iii | EX 19-2, EX 19-4 | 362 |
| Vn Son | Op. 23/ii, 32 | EX 21-2 | 363 |
| Vn Son | Op. 24/i, 38 | EX 11-5 | 364 |
| Vn Son | Op. 30#2/iii | EX 11-11, EX 11-5 | 365 |
| Vn Son | Op. 30#3/i, 8 | EX 7-2 | 366 |
| Vn-Pf Rondo | WoO 41, 22 | EX 7-11, EX 9, EX 20-2 | 367 |
| Vc Son | Op. 5#2/i, 106 | EX 25-1 | 368 |
| Vc Son | Op. 5#2/ii, 32 | EX 8-5 | 369 |
| Vc Son | Op. 69/i, 65 | EX 26-4 | 370 |
| Vc Son | Op. 69/iii | EX 14 | 371 |
| Vc Son | Op. 69/iii, 19 | EX 7-6 | 372 |
| Duo, cl & bn | WoO 27#1/i (spurious?) | EX 11-3 | 373 |
| Duo, cl & bn | WoO 27#2/i, 43 (spurious?) | EX 24-3 | 374 |
| Duo, cl & bn | WoO 27#2/iii, 29 (spurious?) | EX 22-2 | 375 |
| Str Duo | WoO 32/iii | EX 7-8 | 376 |
| Pf Trio | Op.1#1/ii | EX 8-2 | 377 |
| Pf Trio | Op. 70#1/i | EX 7-4 | 378 |
| Pf Trio | Op. 70#2/ii | EX 15 | 379 |
| Pf Trio | Op. 97/ii | EX 19-1 | 380 |
| Pf Trio | Op 97/iv | EX 11-8 | 381 |
| Cl-Pf Trio | Op. 11/i, 47 | EX 29-2 | 382 |
| WW Trio | Op. 87/i, 43 | EX 22-3 | 383 |
| Str Trio | Op. 3/iv, 35 | EX 26-1 | 384 |
| Str Trio | Op. 9#2/i, 23 | EX 11-11 | 385 |
| Str Trio | Op. 9#3/i, 48 | EX 19-4 | 386 |
| Str Trio | Op. 9#3/ii | EX 24-3 | 387 |
| Ser, str trio | Op. 8/iii | EX 19-3 | 388 |
| Ser, str trio | Op. 8/v | EX 16-2 | 389 |
| Serenade, fl, vn, va | Op. 25/ii | EX 14 | 390 |
| Pf 4t | WoO 36#3/i, 23 | EX 7-2 | 391 |
| SQ | Op. 18#1/ii, 26 | EX 23-1 | 392 |
| SQ | Op. 18#1/iii, trio | EX 8-1 | 393 |
| SQ | Op. 18#4/ii, 42 | EX 16-2 | 394 |
| SQ | Op. 18#5/i | EX 11-10 | 395 |
| SQ | Op. 18#6/i, 63 | EX 21-3 | 396 |
| SQ | Op. 59#2/ii | EX 19-4 | 397 |
| SQ | Op. 59#3/ii, 41 | EX 7-2, EX 11-5 | 398 |
| SQ | Op. 127/iii, trio, 26 | EX 8-3 | 399 |
| SQ | Op. 127/iv, 5 | EX 7-3 | 400 |
| SQ | Op. 127/iv, 20 | EX 11-8, EX 14 | 401 |
| SQ | Op. 130/i, 87 | EX 7-2 | 402 |
| SQ | Op. 132/iii | EX 7-2 | 403 |
| SQ | Op. 132/iii,47 | EX 28-2 | 404 |
| SQ | Op. 135/iv, 32 | EX 19-4 | 405 |
| Pf-WW 5t | Op. 16/i, 87 | EX 7-4 | 406 |
| Pf-WW 5t | Op. 16/ii | EX 21-1 | 407 |
| Rondino, WW 5t | WoO 25, 57 | EX 7-2 | 408 |
| Str 5t | Op. 29/i | EX 14 | 409 |
| Septet | Op. 20/i, 86 | EX 16-1, EX 24-3 | 410 |
| Septet | Op. 20/ii, 29 | EX 16-1 | 411 |
| WW Octet | Op. 103/iv, 32 | EX 14 | 412 |
| Pf Conc | Op. 37/i, 50 | EX 22-2 | 413 |
| Pf Conc | Op 73/i, 11 | EX 26-2 | 414 |
| Pf Conc | Op. 73/ii | EX 22-3 | 415 |
| Vn Conc | Op. 61/ii | EX 27-1 | 416 |
| Vn Romanza | Op. 50 | EX 19-5 | 417 |
| Sym | Op. 21/i, 69 | EX 21-3 | 418 |
| Sym | Op. 21/iv, 56 | EX 7-6 | 419 |
| Sym | Op. 36/i, 34 | EX 26-2 | 420 |
| Sym | Op. 36/iii, trio | EX 20-1 | 421 |
| Sym | Op. 60/iii, trio | EX 11-1 | 422 |
| Sym | Op. 68/ii, 11 | EX 11-10 | 423 |
| Sym | Op. 68/iii, 59 | EX 11-8 | 424 |
| Sym | Op. 92/i, 67 | EX 11-1 | 425 |
| Sym | Op. 92/iii | EX 11-6 | 426 |
| Sym | Op. 92/iii, trio | EX 14 | 427 |
| Sym | Op. 93/ii | EX 8-6 | 428 |
| Sym | Op. 125/ii, 438 | EX 14, EX 30-2 | 429 |
| Sym | Op. 125/iv, 92 | EX 24-1, EX 24-3 | 430 |
| Sym | Op. 125/iv, 851 | EX 30-2 | 431 |
| Cons House Ov | Op. 124, 88 | EX 24-3 | 432 |
| Lenore Ov | Op. 138, 57 | EX 11-9 | 433 |
| Augenblick | Op. 136/v, 22 | EX 7-10 | 434 |
| Egmont | Op. 84/#2 | EX 7-10 | 435 |
| Namensfeier | Op. 115, 3 | EX 8-3 | 436 |
| Prometheus | Op. 43/#14, 57 | EX 19-3 | 437 |
| Ruins | Op. 113/#4 | EX 11-1 | 438 |
| Ruins | Op. 113/#7, 92 | EX 7-8 | 439 |
| Stephan | Op 117/#4, 3 | EX 11-11 | 440 |
| Lied | Op. 75/#1, 17 | EX 8-4 | 441 |
| Prüfung | WoO 89 | EX 7-10 | 442 |
| Pf Son | D. 157/i, 47 | EX 11-5 | 443 |
| Pf Son | D. 279/i | EX 7-1 , EX 30-1 | 444 |
| Pf Son | D. 279/i, 45 | EX 26-1 | 445 |
| Pf Son | D. 557/iii | EX 21-1 | 446 |
| Pf Son | D. 568/ii, 27 | EX 7-1 | 447 |
| Pf Son | D. 575/iv, 3 | EX 25-1 | 448 |
| Pf Son | D. 784/i, 61 | EX 7-7 | 449 |
| Pf Son | D. 784/ii | EX 7-4 | 450 |
| Pf Son | D. 845/i, 40 | EX 7-6 | 451 |
| Pf Son | D. 845/iii, trio, 4 | EX 7-9, EX 29-2 | 452 |
| Pf Son | D. 850/i, 40 | EX 19-4 | 453 |
| Pf Son | D. 850/iv, 2 | EX 11-3 | 454 |
| Pf Son | D. 850/iv, 104 | EX 7-3 | 455 |
| Pf Son | D. 894/iv | EX 8-6 | 456 |
| Pf Son | D. 958/iv, 246 | EX 22-3 | 457 |
| Pf Son | D. 959/iv | EX 14 | 458 |
| Pf Impr | D. 935/i, 45 | EX 16-2 | 459 |
| Pf Impr | D. 935/iii | EX 7-4 | 460 |
| MM | D. 780/i | EX 11-4 | 461 |
| MM | D. 780/vi, trio | EX 22-3 | 462 |
| Pf Scherzo | D. 593/ii | EX 11-11 | 463 |
| Three Pf Pieces | D. 946/ii | EX 11-10 | 464 |
| Variations, Pf 4-Hd | D. 968a, Thema | EX 11-7, EX 15 | 465 |
| Deutsch | D. 128 #3 | EX 7-9 | 466 |
| Deutsch | D. 135, trio | EX 11-11 | 467 |
| Deutsch | D. 139, trio | EX 9 | 468 |
| Deutsch | D. 783/#8 | EX 9 | 469 |
| Ecossaise | D. 529/#2 | EX 11-1 | 470 |
| Ecossaise | D. 529/#4 | EX 9 | 471 |
| Ecossaise | D. 735/#8 | EX 7-12 | 472 |
| Lþndler | D. 378/#1 | EX 15 | 473 |
| Lþndler | D. 378/#3 | EX 7-8 | 474 |
| Lþndler | D. 681/#9 | EX 9 | 475 |
| Lþndler | D. 734 #7 | EX 7-11 | 476 |
| Lþndler | D. 970/#1 | EX 9 | 477 |
| Lþndler | D. 970 #3 | EX 7-9 | 478 |
| Lþndler, Pf 4-Hd | D. 618/#1 | EX 7-12 | 479 |
| Waltz | D. 145 #1 | EX 7-9 | 480 |
| Waltz | D. 146/#8 | EX 30-2 | 481 |
| Waltz | D. 146/#18 | EX 23-1 | 482 |
| Waltz | D. 365/#2 | EX 23-2 | 483 |
| Waltz | D. 779/#15 | EX 28-1 | 484 |
| Waltz | D. 779/#29 | EX 9 | 485 |
| Waltz | D. 779/#30 | EX 7-12 | 486 |
| Waltz | D. 980/#1 | EX 9 | 487 |
| Vn Son | D. 385/iv, 35 | EX 7-4 | 488 |
| Vn Son | D. 408/ii | EX 7-9 | 489 |
| Vn Son | D. 408/iii | EX 7-2 | 490 |
| Vn Son | D. 408/iii, trio | EX 7-7 | 491 |
| Vn Son | D. 574/i, 5 | EX 7-2 | 492 |
| Vn Son | D. 574/iii, 48 | EX 11-7 | 493 |
| Vn Son | D. 574/iv, 73 | EX 11-6 | 494 |
| Vn Sonatine | D. 384/iii | EX 22-2 | 495 |
| Vn Rondo | D. 895, 347 | EX 20-4 | 496 |
| Pf Trio | D. 898/i, 58 | EX 16-3 | 497 |
| Pf Trio | D. 898/ii, 3 | EX 20-5 | 498 |
| Pf Trio | D. 929/iv | EX 15 | 499 |
| Str Trio | D. 471, 41 | EX 11-5 | 500 |
| Adagio & Rondo, Pf 4t | D. 487/rondo, 58 | EX 21-2 | 501 |
| SQ | D. 87/ii | EX 11-1, EX 19-3 | 502 |
| SQ | D. 112/iii, trio | EX 20-1 | 503 |
| SQ | D. 112/iv | EX 29-2 | 504 |
| SQ | D. 353/ii | EX 7-7 | 505 |
| SQ | D. 804/i, 59 | EX 20-2 | 506 |
| SQ | D. 804/ii, 37 | EX 7-5 | 507 |
| SQ | D. 804/iv | EX 11-2, EX 16-1 | 508 |
| SQ | D. 810/i, 102 | EX 16-2 | 509 |
| Pf 5t | D. 667/i | EX 11-5 | 510 |
| Pf 5t | D. 667/iii, trio | EX 22-3 | 511 |
| Octet | D. 803/iv | EX 11-8, EX 14, EX 16-3 | 512 |
| Sym | D. 125/ii | EX 16-3 | 513 |
| Sym | D. 944/i | EX 24-1 | 514 |
| Sym | D. 944/ii, 24 | EX 19-1 | 515 |
| Sym | D. 944/ii, 93 | EX 22-1 | 516 |
| Sym | D. 944/iii, 30 | EX 11-3 | 517 |
| Sym | D. 944/iii, 70 | EX 14 | 518 |
| Rosamunde | D. 797/Ballet, 139 | EX 20-2 | 519 |
| Zbhfe | D. 644/Ov, 130 | EX 22-2 | 520 |
| Zbhfe | D. 644/Ov, 166 | EX 14 | 521 |
| Lied | D. 213 | EX 11-8 | 522 |
| Lied | D. 328, 57 | EX 8-3 | 523 |
| Lied | D. 343, 2 | EX 7-10 | 524 |
| Lied | D. 493, 16 | EX 7-10 | 525 |
| Lied | D. 493, 31 | EX 7-10 | 526 |
| Lied | D. 700, 7 | EX 7-3 | 527 |
| Lied | D. 765, 3 | EX 7-4 | 528 |
| Lied | D. 776, 8 | EX 29-2 | 529 |
| Lied | D. 795/#12 | EX 11-8 | 530 |
| Lied | D. 839, 3 | EX 11-7 | 531 |
| Lied | D. 888, 6 | EX 16-1 | 532 |
| Lied | D. 891, 5 | EX 7-6 | 533 |
| Lied | D. 911/#1, 71 | EX 27-1 | 534 |
| Lied | D. 911/#21, 5 | EX 8-3 | 535 |