Anne Danielsen is Professor of Musicology and Director of RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion at the University of Oslo. She has published widely on rhythm, groove and digital technology in post-war African-American popular music and is the author of Presence and pleasure: the funk grooves of James Brown and Parliament (Wesleyan, 2006) and Digital signatures: the impact of digitization on popular music sound (with Ragnhild Brøvig-Hanssen, MIT Press, 2016), and the editor of Musical rhythm in the age of digital reproduction (Routledge/Ashgate, 2010).
anne.danielsen@imv.uio.no